The strata of the 'Slab' paintings also read as a band of lindas - yet another bessemer painting motif. Elesby, Sally. Thorson, Alice. Duncan, Michael. Their rubbery quality is particularly seductive, resembling the plastics used to shape the ergonomic grips of appliances. The largest of her current works are solid xxx hookup sites of acrylic paint up to two metres long by one metre wide and a centimetre thick.
In fact, Besemer's 'Fold' paintings easily step up to the plate as rigorous meditations on the nature of painting and illusion. One wrong step and the work becomes either silly or impenetrable. A series of smaller pieces she call 'Slabs', each about the size of besseme sheet of notebook paper, hang like more conventional pictures, but only because the body of paint, at about 25 cm, is all the more unconventionally thick.
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BY Carmine Iannaccone in Reviews 03 MAR 00 Formalist painters have to walk a very fine line between vacuous decoration and obtuse theories of abstraction. The references range playfully from the feminine craft associations of weaving that bessemsr plaids and stripes reinforce, to the sumptuous drapery portrayed in classical painting.
Her allusions to critical theory are intelligent without being cerebral, while the surprising and humorous physicality of her work is as appealing to the eye as it is to the mind. Gomez, Pat.
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Each work, again, resounds with the formal values of reductivist painting, while at the same time deflating those pretensions by hanging around like flashy beach towels. Viewed from the front, each of Besemer's 'Slabs' is a monochrome, bsssemer the ultimate form of illusionism in painting: pure opticality, pure chromatic energy.
Weekly, 20 - 26 September Yassein, Edward. Buffalo, Albright-Knox Art Gallery illustrated. One suspects that the allusion to fabric is more than incidental. And, inshe was granted an endowed professorship and became The James Irvine Distinguished Professor of the Arts.
Muscle, Friday Magazine, Siegel, Katy. Of course, having that impulse forbidden only makes it all the more delicious. Of all the abstract artists working in Los Angeles today, no-one pulls that feat off with greater panache than Linda Besemer.
A stripe from one side continues over and aligns itself perfectly with the same stripe on the other, creating spatial contiguity, while opposing colour schemes simultaneously enforce spatial distinction. Sight Mapping. Lesbian Art in America. Whitney Biennial Thornson, Alice.
Brown, Elizabeth. It's a of the work's accomplishment that the paintings can assume this vernacular twist without being trivialised. Sterling Memorial Award. She isn't advancing any position about the nature of painting wife bbc first time much as enjoying the argument - brssemer of course means not only showing the debate's many sides, but, to a certain degree, making them theatrical as well.
Besemer emphasises their interaction like the recto and verso of a manuscript. She is also exhibiting internationally in Besssemer, Asia, and South America.
Siegel, Katy. Konstallen-Bohuslans Museum, Lina, Sweden exhibition cat. What Besemer has created is the aesthetic equivalent of a Klein bottle or a Mobius strip.
Like such mind-bending conundra, one can either study her paintings as exhibits in a highly specialised discussion, or just as easily lindda and perhaps no less fruitfully - enjoy them for the mischievous way they complicate things, like puzzles that are fascinating for being irresolvable. Because the stripes are embedded into the body of the painting rather than applied to a substrate, it's as though the image has no surface, only depth.
At the same time, there are two distinct sides, both of which are revealed because of how the pieces are draped. Howell, George. Extreme Abstraction, 2.
She hangs them in such a way that they drape and sag under their own weight. l, David. Collins, Tom. Aptly referred to as 'Folds', Besemer showcases the physical nature of these acrylic hides by presenting them besswmer over rods mounted to dating party wall, the way one would hang a piece of cloth.
Specific focus may vary from year to year. November Hirsch, Faye. She takes up this theme more thoroughly in her larger works.
Discussion of techniques, exhibition problems, self-evaluation, and current art movements, in the context of the history of art. Emphasis may change from year to year. Whereas some might see in that conflation a crisis of will on the part of the gessemer, it's precisely Besemer's ability to create paradox that keeps the formal issues alive.
Rizzoli Press Richard, Paul. Zellen, Jody. Besemer produces abstract paintings without any kind of support for the paint.
This association with touch is one of the ways Besemer makes her Formalism sensual.
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